Paper on: Eternal Sunshine of the Spotless Mind

Paper on unfailing blitheness of the Spotless Mind Mr. Gordon Jesse Jonathon 12/3/2012 1)Neorealism was a movement in photo production that emerged out of the second beingness War in Italy. The defeat of Italian fascism led to the oppress of the Italian look at industry. Before the war, Italy had produced commercial studio fare. Economic dec business sector stance-war and the occupation by American forces did not allow for the continuation of the production of commercial studio fare. The studios, post-war, were engaged as refugee camps and as retentivity facilities for occupying militaries.The war ravaged landscapes of Italy provided the only available backdrop to the new characterizations being produced, since the studios were mostly unavailable for use by put downmakers. Due to the war torn backdrops of these new films, it created the need to film about contemporary realities. The glower budgets, limited resources, and filming on location lead to the gritty reality look of this new film style. Neorealism in film is commonly described and seen as a film that was filmed on a location, rather than in a studio cliqueting only a film that demonstrates authenticity, and often seen with rejecting perfect hollywood acting styles.To sum up the generalization of neorealism, it is a realistic representation of life. Roberto Rossellini is credited to reservation the first neorealism film and the most important neorealism film. His first film was Rome, open city, this is the first neorealism film. It is depended a neorealistic film because of its demonstration of the gritty real life suffering of the Italians during the second World War. Rossellinis second film was Paisa, this was one of the most important neorealistic films.It is a neorealism film because its shows six stories through out the second World War with narration providing the setting of the time and place in history. The second most important neorealist film maker was Vittorio De Sica. His fi lm Bicycle Thieves is seen as one of the most famous neorealism films. It is a neorealism film because the star was a non-actor. The film was full of real mess conveying real life. The film critic Roger Ebert does not consider staring(a) Sunshine of the Spotless Mind a neorealism film. Ebert stated that the motion picture was like an endless serial of aborted MeetCutes. . This is a main reason why Ebert says it is not a neorealism film. Traditionally neorealism films avoid using simple hollywood acting techniques like meet cutes. This film seems to be a series of meet cutes that neer quite come to a conclusion. Ebert considers this movie an extreme example of maze picture. 2)There are different forms of narratives, or so of which are the Linear Narrative, Non-Linear Narrative, Maze Cinema, and Hyperlink Cinema. A linear narrative is a story in which it starts at the beginning goes through the middle to the end, in a linear pattern.Around the World in 80 days is an example of a linear narrative because of its progression from plosive consonant A to point B to point C in a linear fashion. A non-linear narrative is when a story is pieced together passim the movie. This type of film tends to jump from one scene to the next in a non sequential order. run for for Red October is a classic example of a non-linear narrative due to its flashbacks and multiple story line progression. A Maze Cinema is a film with multiple interconnecting stories or pathways, creating a maze effect.Eternal Sunshine of the Spotless Mind is an example of a maze cinema due to its multiple pathways and character stories at heart the main story itself. A hyperlink cinema is a movie made up of many free stories that are linked by one small common thread. Crash is an example of a hyperlink cinema because of the idea of the 6 degrees of separation. Linear and non-linear narratives can be grouped in the sense that they are a more traditional approach. Maze and hyperlink cinema take t he more creative approach to film making.Roger Ebert referred to Eternal Sunshine of the Spotless Mind as a radical example of Maze Cinema, because this movie is the epitome of maze cinema. This movie has the many stories woven into one larger overlaying story. 3)Mike LaSalle, from the San Francisco Chronicle, was quoted as saying Eternal Sunshine of the Spotless Mind is not about how slam conquers all but about how people can be weak and foolish and waste their lives on stupid, destructive relationships. Its a frore movie about love that was meant to be cold. LaSalles views tend to be on the opposite plateful of the more mainstream opinion.The majority, according to my research of film critiques, is that most see this film as a romantic movie. These critiques all seem to repeat the same opinion, that love transcends all and conquers all. LaSalle makes the case that this is simply not neat. LaSalle strikes embarrassing in his critique by showing the alternative side to the fi lm. He states that it is a cold love story in which there is lack of emotion and one feels like the love life is set on repeat. LaSalle sets the stage for our minds to explore the new found view point that this story cleverly outlines the never ending track of repeated mistakes in ones love life.LaSalles opposition takes the hard fast post against the idea that this movie outlines the failure of love due to repeated mistakes. They tend to see it as the infernal region walls in which a lover must climb in order to find and gain ones true love. Sometimes mistakes are needed to be repeated until you can conquer them. LaSalle challenges this by giving us his critique in such a manner as to eloquently dispute the claim of his opponents. working Cited Ebert, Roger. (2004). Eternal Sunshine of the Spotless Mind. LaSalle, Mick. (2004). San Francisco Chronicle.